A painting is simply a screen between the producer and the spectator where both can look at the thought processes residing on the screen from different angles and points in time. It enables me to look at the residue of my thinking.
Kirsty Garcia rose to prominence with her in situ paintings, in which explosive colour is painted directly onto architectural interiors.
The artist embraces the events and incidents that arise as she works, opening up surfaces and spaces to the countless perceptual possibilities of the medium. Approaching painting as an experience in immersive subjectivity, she uses traditional painting techniques to create gestural and propulsive marks onto the surface of both walls and canvas.
Daniel Porter’s paintings explore the very nature of painting both as cultured language and sheer expression and he disregards the classical polarities of abstraction and representation, past and present, canvas and frame. Assertive compressed gestures, sweeping complex textures, a lush palette, and the dynamic interchange of light and dark are all traits of his distinctive signature. With their maximalist gestures and saturated colours his more intimately scaled paintings appear jewel-like, while larger works are opulent and theatrical. Painted onto canvas and glass they operate as both objects, images and mirrors and embrace joyous spontaneity and directness in equal measure.